Three Quick Ways to Make Your B-roll Better

As a producer, I log hours and hours of video. There are three mistakes that I frequently see. They cut across all levels of experience. Fortunately, they’re easy to fix. Don’t Talk When Shooting B-roll It’s easy to think that you won’t need audio when you’re shooting visual sequences. But the truth is, b-roll is far more dynamic when it includes natural sound. B-roll with sound can be used for pacing between sections of your project or to cover interview sound bites and provide a rich texture. If you talk while shooting, you lose this opportunity. You’re left with just visuals. While you can sometimes get away with this, say when you use music, it’s far better to have the option of using natural sound. If you have it, chances are that you’ll find a use for it. Remember, no matter how softly you speak, the camera microphone will hear you. So…

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Standard Three-Camera Interview Setup

MediaStorm’s standard interview setup is meant to provide a clean, focused environment for the viewer. It can be used both in a studio or in the field. We typically use at least two cameras, usually three, both for visual variety and for editing on-camera sequences. This is by no means the only way to conduct an interview and you should consider the role and look of the interview before beginning a project. The example below is for an interview with the subject sitting screen-right. If you want the subject to be sitting screen-left, camera and lighting placement should be reversed. Visual Look Background - We often use a black background behind our subjects to focus attention on what the subject says and how he or she says it. A large felt cloth works nicely. Cameras - We currently use the Canon 5D Mark III for our interviews. Camera Settings - It’s important…

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Finishing is the Hard Part: The Details

In a previous post, I described some of the psychological challenges of finishing a project. Just as we're ready to be done, we must once again see our work hyper-critically in order to complete the final stages of production. In revisiting this topic, I'd like to offer a more detailed list of the steps we follow once the picture edit is complete. Keep in mind as you move through these steps that finishing a project is a non-linear process. You may be mixing audio when you discover an image that needs recropping. It’s OK to make that change, but try to stay on task as it’s easy to get distracted. Audio Mixing Audio generally requires less render time than video so it's a good place to begin. Add tone between interview bites Mix interview, tone, b-roll, and music Add one frame dissolves to the head and tail of all audio bites Fix…

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MediaStorm at Unofficial Google+ Film Festival

MediaStorm is excited to be part of the 2012 Unofficial Google+ Film Festival this weekend. The festival will be held online all weekend on the UGPFF Google+ page. Brian Storm will be participating in the panel on Creative Music and Licensing with Cary LoGrande from Audiosocket at 3:30pm PST (6:30pm EST) tomorrow, Saturday Dec. 1. Tune into the panel online here. Also, find MediaStorm in the festival's online marketplace. The Unofficial Google+ Film Festival The Unofficial Google+ Film Festival is an online, interactive, live, international short film festival that brings the film festival experience into your home or any other location. The festival runs from Friday Nov. 30, 2012 at 11:00 am pst (GMT -8) through Sunday December 2, 2012 at 3:00 pm pst (GMT -8). Anyone with an internet connection can attend and participate. There are also live public showings in Asheville, NC and Los Angeles, CA. Filmmakers from around the…

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Transom Now Accepting Applications for 2013 Spring Workshop

Transom has just released the application for its two-month intensive workshop to be held in April and May 2013. The lead instructor for this workshop will be Rob Rosenthal, along with Sarah Reynolds, the Transom Team, and special guests including Sean Cole and many others. Deadline to apply is January 4th. The Transom Story Workshop The Transom Story Workshop is an eight-week, full time training workshop for beginning radio producers. The Spring 2013 session will take place in Woods Hole, MA from April 1 through May 24, 2013. Cost is $6,500 and includes a license to Hindenburg Journalist, an audio editing software. Participants will also receive a free one-year account with the Public Radio Exchange. Full details about the workshop and registration are available on the Transom website. About the Instructors Rob Rosenthal will be the lead teacher at the Workshop. Rob is an independent producer and an experienced teacher. Most notably,…

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