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Worth Watching #70

“Simply epic” –Brian Storm

SILVER & LIGHT from Ian Ruhter on Vimeo.

This project was created with the same spirit that america was founded on. Our intentions are to connect everyone in america through the lens of this camera and social networking sites. We can’t do this without you. We want to tell your story and show your city or town through photographs of you, and people you know. As we travel around america looking for people and places to shoot you will be able to keep track of where we are going and help us decide where we go next. Join us in our journey by liking our facebook to get yourself photographed by us.

An extra special thanks to Brandon Rein, Scotty Hoffman and Trevor Atwater.

See other videos that we think are Worth Watching.

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MediaStorm Guide to Final Cut Pro 7 Autosave Vault

Final Cut Pro’s Autosave Vault is your insurance policy against crashes, lost work and just about any other mishap. In short, it will save your bacon.

The vault works by saving an entire copy of your Final Cut Pro project file at a regular, user-determined interval.

This post will explain how to set up your Autosave Vault, copy items from a backup to your working project as well as replace your FCP file with a backup file.

Setting Up the Autosave Vault

From the Final Cut Pro menu choose System Settings (Shift-Q).

Autosave Vault Image 1
Click the Autosave Vault: Set… button.

Select a directory to save your backup files. It’s important to set your backups to a different drive than your actual assets. That way, if your media drive dies you still have access to these files.

Next, from the Final Cut Pro menu choose User Preferences (Option-Q).

Autosave Vault Image 2
On the General tab, check the Autosave Vault checkbox to turn the vault on.

MediaStorm saves a new backup every 10 to 15 minutes. This way, if there’s a problem we’ll lose only a few minutes of work.

The Keep at most option, determines how many backup files FCP will save. Once Final Cut has reached the maximum, it will begin to delete the oldest files.

Copying Items from a Backup to Your Working Project

Sometimes you may need to copy just a sequence or two from a backup file to your main FCP project.

To do this, make sure your working FCP project is open.

Then, open your Autosave Vault in the Finder. Each file is labeled with your project name and a timestamp.

Autosave Vault Image 3
Open the appropriate file.

You should now have two projects open in the Final Cut Browser window.

Though Final Cut Pro renames your backup file with a timestamp, it does not alter the sequences or file names inside. Therefore, when copying between projects it’s very easy to get confused as to which project you are actually working in.

To avoid confusion, in the Browser, drag the backup project window next to your main project so they are side-by-side.

To copy between projects, simply select an item in the backup and press command-c to copy it. Next, select your working project and press command-v to paste the item(s) into your project.

You can drag-and-drop between files but we’ve found that copy-and-paste tends to be faster and more reliable, particularly with large sequences.

Save your work. Then, close the backup project.

Copying Items From a Backup Sequence to a Sequence in Your Working Project

Select the Timeline (command-3). Then, close any open sequences.

Double click a sequence from your working project.

Next, select the backup project you’d like to open. Add the suffix ‘backup’ to the sequence. This will avoid the confusion of opening two sequences with the exact same name.

Paste from your backup sequence to your working sequence.

Save your work. Then, close the backup project.

If necessary, delete your original sequence. Then, remove the ‘backup’ suffix from the replacement sequence.

Replacing Your FCP Project File with a Backup File

In the Finder, locate your project folder. Open the FCP folder inside and create a new directory labeled z_old.

Rename your FCP file with the appendix v1 for version 1, or the appropriate version number.

Move your FCP_v1 file into the z_old folder.

Autosave Vault Image 4
In the Autosave Vault, locate the FCP backup file you’d like to use to replace your current project file.

Remove the timestamp suffix and drag it to your project FCP folder.

Open your new Final Cut file.

Learn more about our approach to producing multimedia by purchasing MediaStorm’s Post-production Workflow. Spanning more than 200 steps, the workflow covers every phase of editing, from organizing and editing assets in Final Cut Pro 7 through backing up and archiving your project. The workflow includes exclusive access to our Aperture Workflow and our Final Cut Asset Parser. Learn more about MediaStorm’s Post-production Workflow.

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Upcoming Deadlines for Open Society Foundations Photography Projects

OSF logo Open Society Foundations has upcoming deadlines for submissions from photographers on two projects.

Call for Proposals: Moving Walls 20
Deadline: April 30, 2012

The Open Society Documentary Photography Project invites photographers to submit a proposal and completed body of work for consideration in the Moving Walls 20 group exhibition (opens early 2013). Moving Walls is an exhibition series that features in-depth and nuanced explorations of human rights and social issues. Thematically linked to the Open Society Foundations’ mission, Moving Walls is exhibited at our offices in New York and Washington, D.C., and includes 3–5 discrete bodies of work.

Call for Proposals: 2012–2013 Production Grant for Photographers from Central Asia, the South Caucasus, Afghanistan, Mongolia, and Pakistan
Deadline: May 10, 2012

The Open Society Documentary Photography Project and Arts and Culture Program announce a grant and training opportunity for documentary photographers from Central Asia, the South Caucasus, Afghanistan, Mongolia, and Pakistan. Approximately 10 cash stipends in the amount of $3,500 each will be awarded to photographers to produce a photo essay on a current human rights or social issue in the region. Grantees will participate in two master-level workshops and a six-month mentorship with internationally recognized photographers.

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Crisis Guide: Iran Receives Overseas Press Club Award for Online Excellence

Crisis Guide: Iran produced by MediaStorm and the Council on Foreign Relations (CFR) received the 2011 Overseas Press Club (OPC) award for Web: Online General Excellence. The OPC awards have been recognizing online journalism since the 1940s and this year they added six new categories for online coverage to acknowledge the changing media landscape.

Crisis Guide: Iran Poster

Crisis Guide: Iran was honored for its superb use of multimedia in a timely and in-depth study of Iran’s politics, economy and nuclear program. The seven-chapter publication was recognized for using interactive graphics, archival slideshows, graphs, timelines and video interviews to showcase the history and government of the country in a visually pleasing and accessible way.

Crisis Guide: Iran Page

Crisis Guide: Iran is the seventh in a series of guides produced by MediaStorm and CFR that look at major international issues, including Pakistan, the Israeli-Palestinian conflict, the Korean Peninsula, Nuclear Energy, the global economy, global covernance, and climate change. Crisis Guide: Pakistan was awarded the OPC Award for Best Use of Multimedia in 2010.

With this project, MediaStorm and CFR aimed to create a site that was immersive in experience, allowing the user to focus on the complex history of Iran and the issues facing the country as a whole. The guide draws on insights from more than 25 leading analysts, government officials, and journalists to explore Iran’s challenges and offer a range of expert opinions on the policy options to address them. It also uses multimedia elements to trace the country’s history, examine its oil-driven economy, and survey its controversial nuclear program.

Crisis Guide: Iran Graphic

The awards were presented last night at the 73rd Annual OPC Awards Dinner in New York. The club presented 27 awards in categories ranging from photography to online commentary. In addition to MediaStorm and CFR, the winners for online and web coverage are foreignpolicy.com, GlobalPost.com, The Financial Times and ProPublica, Virginia Quarterly Review and The New York Times. Congratulations to all the winners.

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A Darkness Visible: Afghanistan Receives Media for Liberty Award

A Darkness Visible PosterLiberty Media Corporation honored A Darkness Visible: Afghanistan by VII Photographer Seamus Murphy and MediaStorm last week as the winner of its 2012 Media for Liberty Award.

The 2012 Media for Liberty Award acknowledges and encourages media contributions that explore the relationship between economic and political liberty. The winning entry is selected by a panel of judges and receives an award of $50,000.

Brian Storm and Seamus Murphy accept Liberty Media Award

Brian Storm (left) and Seamus Murphy (right) accept Media for Liberty Award from John Malone.

A Darkness Visible: Afghanistan is based on 14 trips to Afghanistan between 1994 and 2010 by internationally-recognized photojournalist Seamus Murphy. As he chronicles Afghans caught in political turmoil, he highlights their often-overlooked desire for self-determination.

John McCain, Brian Storm and Seamus Murphy

Brian Storm and Seamus Murphy meet US Senator John McCain.

“This film puts the relationship between political struggles and economic hardships into clear focus,” said John Malone, chairman of Liberty Media. “In addition to being topical, it sheds light on history that even today is under-appreciated, and we are pleased to honor Seamus Murphy and MediaStorm.”

A Darkness Visible: Afghanistan was honored at an evening reception at the Newseum in Washington, D.C. The event was hosted by Liberty Media and emceed by Tucker Carlson, a contributor to FOX News, the editor-in-chief of the Daily Caller news site and a senior fellow at the Cato Institute.

Seamus Murphy and Brian Storm at awards reception.

Seamus Murphy and Brian Storm at awards reception.

Earlier this year, A Darkness Visible: Afghanistan was also awarded the Picture of the Year International Award of Excellence for Long Form Documentary.

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