Gaining access to secretive pockets of society is based on trust. It’s that trust that photographer Anthony Karen sees as the foundation of photojournalism. “It’s a moment that’s constantly validated, the wordless acceptance into someone’s personal space with a camera,” Karen wrote to Slate.

After documenting Vodou rituals in Haiti, Skinheads, and the Westboro Baptist Church, Karen finds himself accepted by the Ku Klux Klan. He began photographing the Klan in 2005, after reaching out to members through phone numbers and e-mails listed on websites. After earning their trust, he was allowed unrestricted access to photograph.

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