MediaStorm Spring 2013 Internship Application

We're currently accepting applications for our Spring 2013 internship. If you're motivated, highly organized, and passionate about multimedia, we'd love to hear from you. The internship generally runs from January to April, but start dates are flexible. We're looking for applicants with experience in multimedia production, design, motion graphics, and/or web development. Internships are paid. How to Apply All applications must be submitted through our online application form. Applicants should be prepared to supply: Links to pieces produced/collaborated on (please indicate role in each) Available start/end dates Hours/week available Apply Now Applications due November 1, 2012 Frequently Asked Questions Trying to decide if you should apply? Here are answers to the most frequently asked questions we get from applicants. What will I be doing as a Mediastorm intern? This is a production internship. You will be working closely with the MediaStorm team to produce multimedia projects. This means full days in front…

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The 33rd Annual News & Documentary Emmy Awards; 10/1/12

MediaStorm Receives Fourth Emmy

Photo: Katie Sedgwick, Robert Mcmahon, Jeremy Sherlick, Toni Johnson, Hagit Bachrach and Brian Storm accept Emmy for Crisis Guide: Iran. Photo by Marc Bryan-Brown Photography. We are proud to announce the Council on Foreign Relations and MediaStorm have received an Emmy for Crisis Guide: Iran. The Crisis Guide was awarded in the category for New Approaches to News and Documentary Programming: Current News Coverage in the 33rd Annual News and Documentary Emmy Awards. A Darkness Visible: Afghanistan, produced with photographer Seamus Murphy of VII photo agency, was also nominated in the New Approaches to News and Documentary Programming: Documentaries category. Crisis Guide: Iran Drawing on the insights of more than twenty-five leading analysts, government officials, and journalists, Crisis Guide: Iran explores the issues and challenges faced by Iran, and offers a range of expert opinions on the policy options for addressing them. A Darkness Visible: Afghanistan Based on 14 trips to Afghanistan…

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Rick Robinson speaks at Luminance. Photo by Michael Treola.

TimeWarpers: Evoking an Emotional Response, Last Session of Luminance

Rick Robinson, division vice president of marketing for Vision Research opened the last session of the conference with a stunning video by Variable shot using high speed imagery. He said there is an "undeniable appeal of high speed imagery." The high-speed cameras that Vision Research makes can shoot up to 1.4 million frames per second. Earlier this year they released a small 2500 fps camera for about $40,000. Up until that time their cameras cost a minimum of $125,000. High speed photography is often used in science and engineering, functioning like a "time microscope." But high speed photography has an important place in photography as an art as well. He pointed out the emotional response that people have to images played back in slow motion. "When you see it in slow motion you see it again for the very first time," he said. Check out some other stunning videos that use high…

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Tyler Shields speaks at Luminance. Photo by Michael Treola.

The Instigators, Luminance Session Seven

Gary Morgan, CEO and co-founder of Splash News--which was bought by Corbis last year--opened "the instigators" session on day two of Luminance. He spoke about the change that celebrities have brought to news photography. News used to be about issues, it's now firmly about people, he said. He used the recent photos of Prince Harry in Las Vegas as an example. He pointed out that the photos that were sold to TMZ, then later sold to Splash are awful photos, in that they are shot poorly with a phone camera. But the photos made the top headlines and were well paid for because they were the first images to break news. It doesn't matter what kind of camera you have, it matters if you have a picture and you get it out first and fast. This is what is driving the entertainment news market now, he said. The democratization of media creates…

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Craig Peters Luminance
Craig Peters speaks at Luminance. Photo by Michael Treola.

The Merchants, Luminance Session Six

Craig Peters, senior vice president for business development at Getty, opened the second session talking about a way forward with copyright licensing. He made two assumptions: that content creators want to get paid for their work and that the vast majority want to live in a world where copyright exists. He identified the problem with copyright as one that has risen with new publishing platforms in the "new world of media." Today the average person is posting images to new publishing platforms regularly, but the average person doesn't know about copyright and usually doesn't have a budget to license images. The disconnect leads to what he calls the "world of the right-click," where people take content and use it with no benefit going back to the content owner. The answer to this problem is not SOPA or other legislation, he said. Peters sees the internet as large and evolving. The solution therefore…

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