‘A Darkness Visible: Afghanistan’ to Show at AnthropoGraphia

A Darkness Visible: Afghanistan was selected by the curators of AnthropoGraphia Human Rights Through Visual Storytelling to be one of six multimedia pieces included in its 2012 exhibition. Based on 14 trips to Afghanistan between 1994 and 2010, A Darkness Visible: Afghanistan is the work of photojournalist Seamus Murphy. His work chronicles a people caught time and again in political turmoil, struggling to find their way. AnthropoGraphia is committed to promoting human rights to the world through high quality visual storytelling. This year's curators are Tina Ahrens, co-founder of Emphas.is, James Estrin, founder of the New York Times’ Lens blog and Matthieu Rytz, founder of AnthropoGraphia. The final selections include 12 photo-essays and six multimedia projects. MediaStorm is proud A Darkness Visible: Afghanistan is included in this years selection. See a full list of this years awardees on the AnthropoGraphia website. Congratulations to all the selected projects.

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Film Festival Strategy with Mark Stolaroff

Mark Stolaroff recently posted a useful guide to festival strategy, Film Festival Strategy: Withoutaclue to Withoutabox in 16 Steps. The guide is based on Stolaroff's 20 years of festival going experience and is offered as a teaser for his upcoming class in Los Angeles, The Art & Science of No-Budget Filmmaking. His 16-step guide focuses on using strategy and persistence to navigate the festival circuit. He gives insight on how to decide which festivals to apply to and how to handle (almost inevitable) rejection. Importantly, he gives some helpful pointers on festival etiquette, including a reminder about how much you stand to gain by just being nice. The two-part guide was featured as a guest post on The Stage 32 Blog. Read the full article. And if you're in LA this August, consider checking out Mark Stolaroff's upcoming course: NO BUDGET FILM SCHOOL PRESENTS: "The Art & Science of No-Budget Filmmaking" Saturday…

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New Storytelling Platform ‘StoriesFrom’ Launches

StoriesFrom is an immersive platform for community storytelling. Funded by the John S. and James L. Knight Foundation, and developed by The Tiziano Project, StoriesFrom allows individuals and organizations around the world to create rich documentary experiences online. "StoriesFrom changes the way communities create and consume stories on a global scale," The Tiziano Project Executive Director Jon Vidar says. "This site presents underrepresented views in a reliable and beautiful package." Explore the stories, learn about the local reporters and talk to them directly using Facebook. All at storiesfrom.us. Here are some of their first stories. Like Air, I'll Rise Searching in this life for humility and peace. MAX: Media Art Exchanges provides a cumulative arts education program for at the San Carlos Apache Indian Reservation in Arizona. Middle and high schoolers participate in four formative weeks of poetry, music, art, photography and multimedia. Ballerinas of East Jerusalem A young ballerina hones her…

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Mediastorm Receives Two Emmy Nominations

MediaStorm is proud to announce it has received two nominations for the 33rd Annual News and Documentary Emmy Awards. A Darkness Visible: Afghanistan produced with photographer Seamus Murphy is a nominee in the New Approaches to News and Documentary Programming: Documentaries category. Crisis Guide: Iran, produced in collaboration with the Council on Foreign Relations is a nominee in the New Approaches to News and Documentary Programming: Current News Coverage. A Darkness Visible: Afghanistan Based on 14 trips to Afghanistan between 1994 and 2010, A Darkness Visible: Afghanistan is the work of photojournalist Seamus Murphy. His work chronicles a people caught time and again in political turmoil, struggling to find their way. Crisis Guide: Iran Drawing on the insights of more than twenty-five leading analysts, government officials, and journalists, Crisis Guide: Iran explores the issues and challenges faced by Iran, and offers a range of expert opinions on the policy options for addressing…

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