Read more about the article Introducing the Newest MediaStorm Workshop: Editing Workflows
Eric and Tim. Photo by Shameel Arafin.

Introducing the Newest MediaStorm Workshop: Editing Workflows

MediaStorm is proud to announce our newest workshop, Editing Workflows. This one day workshop is a deep dive into the 200-plus step workflow that MediaStorm producers use every day to organize and create our films. Led by producers Eric Maierson and Tim McLaughlin, participants will learn the keys to organizing and working with large scale projects. While some editing techniques will be discussed, this workshop is primarily focused on methodology. We’ll be sharing the editing workflow we’ve refined over 7 years to produce more than 200 projects. This workshop uses Premiere Pro and Aperture, though the principles apply to Final Cut 7 as well. Applications are now being accepted online. Upcoming Dates Saturday, August 10, 2013 - Apply by July 10, 2013 Saturday, September 7, 2013 - Apply by August 7, 2013 Workshop Details Tuition for selected participants is $500 Workshops will be held at MediaStorm's office and will start at 10 am…

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MediaStorm Guide to Copy and Pasting a Clip Range in Premiere Pro

This article is part of a new series of posts with tips and tricks from our producers' experience working with Adobe Premiere Pro after years of working in Final Cut Pro. To read more about why we made the switch, check out this post. Today's post was written by MediaStorm producer Eric Maierson. A neat new feature in Premiere Pro is the ability to copy and paste a range of clips (or one clip) without first having to use the Razor Tool (C). To do this simply mark an In (I) and Out (O) on your timeline. Then, Copy (Command-C) and Paste (Command-V). Super easy, super helpful. Note that if a clip is already selected, you’ll simply copy and paste whatever is highlighted, not the range indicated by in and out marks. Use Command-Shift-A to first deselect all clips. To learn more about how our producers are using Adobe Premiere Pro see…

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I Hate ‘Multimedia’

Nothing in this profession irks me so much as the word “multimedia.” Not only is it linguistically confusing–“media” is itself already plural–in terms of describing our work, the label does us all a disservice. Multimedia is the combining of several forms of media. OK, so the combining of photography and video is multimedia. But what about the combination of text and photography in a book? Or a website for that matter? The point is, “multimedia” can mean anything. It just depends on whom you ask. With all due respect, I believe “multimedia” is the word we’ve come to use when describing photographers who make documentaries. It’s a word that belongs to journalists, not the audience we want to reach. This is not a new conversation at MediaStorm. It’s an issue we’ve wrestled with in innumerable conversations and one Brian Storm and I have had almost from day one of my tenure. But…

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Learn to Connect With Your Subjects In New Les Rencontres d’Arles Workshop

Jonathan Torgovnik, photographer and MediaStorm contributor, will teach “An emphasis on the ‘other,’” during the 2013 international festival of photography, Les Rencontres d’Arles. The week-long workshop will dive into the unspoken language and emotional connections between photographer, subject, and environment. Participants will navigate through the intimate and, at times, intense process of creating a successful portrait, with an emphasis on photographing people in their personal environments, in and around their homes, workplaces, or on the street. Registration is available online. About the Workshop Date: July 8-13, 2013 Location: Arles (Provence, France) Fee: 780€ Summary: Participants will learn how to meet the challenges of establishing a deep connection with subjects in a relatively short period of time. The workshop addresses the different approaches required when photographing a personal project, or on assignment, exploring a range of light sources, but always with emphasis on keeping it simple and personal. Course content includes: Introduction to…

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