Create More Advanced Stories at Maine Media Intermediate Multimedia Workshop

In a week-long workshop, instructors Brad Horn, video journalist at The Washington Post, and Coburn Dukehart, picture and multimedia editor at NPR.org, will build on introductory principles to explore multimedia storytelling’s most common tools in greater depth. Under their expert supervision students will find, shoot and produce multimedia stories using still and video cameras during a week that includes intense daily critiques, lectures and demonstrations. Register for the workshop on the Maine Media Workshops + College website. About the Workshop Date: August 18-24, 2013 Location: Rockport, ME; lodging available Tuition: $1,095 Class Size: 15 Course Summary: Students learn the basics of shooting video interviews and setting up audio for those interviews. Principals of integrating stills and audio with video are also discussed in detail. Additionally, students are introduced to Apple’s Final Cut Pro as a means to edit and produce the stories they shoot. Visit workshop page for more information. About Maine…

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MediaStorm Guide to Quickly Deleting Clips in Premiere Pro

This article is part of a new series of posts with tips and tricks from our producers' experience working with Adobe Premiere Pro after years of working in Final Cut Pro. To read more about why we made the switch, check out this post. Today's post was written by MediaStorm producer Eric Maierson. File this tip under I-should-have-thought-of-this-years-ago. First, some backstory from the MediaStorm Post-production Workflow. At MediaStorm, when we log b-roll we use two specific suffixes to identify our sequences. The first is RAW, which indicates that a timeline contains all the clips from a scene or day of shooting. So if a Finder folder contains clips from day one of shooting at a barn, the Adobe Premiere Pro sequence containing those files will be labeled Barn_01_RAW. We then log these clips, raising selects up one video channel as seen below. Next, we duplicate the sequence and replace the word RAW…

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MediaStorm Website Receives RTDNA’s 2013 Edward R. Murrow Award

We are honored to announce that MediaStorm has been recognized by the Radio Television Digital News Association (RTDNA) as a winner of a 2013 National Edward R. Murrow Award in the category of Website by a National Online News Organization. RTDNA is the world's largest professional organization devoted exclusively to electronic journalism, representing local and network journalists in broadcasting, cable and digital media in more than 30 countries. The Edward R. Murrow Awards has honored work of the highest quality produced by radio, television and online news organizations around the world since 1971. "This year's winning entries are outstanding examples of electronic journalism at its finest," said Mike Cavender, Executive Director of RTDNA. "Our judges faced many difficult decisions to select winners from so many high-quality submissions." A complete list of winners with links to the winning entries for the 2013 National Edward R. Murrow Awards can be found at rtdna.org.

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Help Complete “A Photographic Memory” on Kickstarter

For A Photographic Memory, filmmaker Rachel Seed creates a posthumous mother-daughter collaboration that examines the careers of some of the most influential photographers in history. Seed’s mother, filmmaker and journalist Sheila Turner-Seed, passed away when Seed was just 18 months old. But she left behind a treasure trove of rare interviews with the likes of Henri Cartier-Bresson, Bruce Davidson, Cornell Capa, Lisette Model, William Albert Allard, and others. A Photographic Memory, weaves together outtakes of this rare footage with follow-up interviews, reconnecting the women through their shared passion for photography. You can help bring this piece of history to completion on Kickstarter. Background In the early 70’s, Shelia Turner-Seed interviewed photographic icons for an award-winning collaboration with the International Center of Photography (ICP) entitled Images of Man. The raw interviews for the project sat in ICP offices, like a time capsule, since her sudden death in 1979. Thanks to a generous donation…

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