Moving Walls 21 Grant Deadline Approaching

Open Society Foundations is accepting applications to Moving Walls 21, with a deadline of February 26, 2013. How to Enter Any emerging or veteran photographer who is working long-term to document a human rights or social justice issue may apply for Moving Walls. Photographers working in their home countries, women, emerging artists, and people of color are strongly encouraged to apply. The Open Society Foundations does not discriminate based on any status that may be protected by applicable law. To apply, go to: apply.movingwalls.org. From Open Society Foundations The Open Society Foundations invite photographers to submit a body of work for consideration in the Moving Walls 21 group exhibition, scheduled to open in New York in the fall 2013. The Moving Walls exhibition series showcases documentary photography that highlights human rights and social issues that coincide with the Open Society Foundations’ mission. Moving Walls is exhibited at our offices in New York…

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Read more about the article ‘Surviving the Peace: Angola’ Launch, A Great Event for a Worthy Cause

‘Surviving the Peace: Angola’ Launch, A Great Event for a Worthy Cause

The Mines Advisory Group launched a major fundraising initiative, Angola100K, last Wednesday, Feb. 6 at the Goethe-Institut in Washington, D.C. The initiative uses MAG and MediaStorm's latest collaboration, Surviving the Peace: Angola, as a centerpiece to raise $100,000 for landmine education in Angola. As the editor and producer of the piece, I was honored to be part of the event (Unfortunately MediaStorm director of photography Rick Gershon was out on assignment and couldn't make it to D.C. for the event). MAG packed the house—a beautiful cinema that seats 90—with people from organizations that both confront issues surrounding landmine removal and are in a position to do something about the problem. Representatives from the Office of Weapons Removal and Abatement, the Angolan Embassy, the U.S.-Angola Chamber of Commerce, The World Bank and Africare, among others, were in attendance. After a passionate introduction from MAG executive director Jennifer Lachman, the lights went down and…

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Read more about the article MediaStorm Guide to the Warp Stabilizer Effect in Adobe Premiere Pro

MediaStorm Guide to the Warp Stabilizer Effect in Adobe Premiere Pro

This article is part of a new series of posts with tips and tricks from our producers' experience working with Adobe Premiere Pro after years of working in Final Cut Pro. To read more about why we made the switch, check out this post. Today's post was written by MediaStorm producer Eric Maierson. If Adobe Premiere Pro has a secret weapon, then surely it’s the Warp Stabilizer effect. The Warp Stabilizer transforms shaky footage into usable material. The results are often remarkable. To apply the Warp Stabilizer, simply search for “warp” in the effects window (Shift-7). Then drag the effect onto the timeline clip that you’d like to stabilize. Note that the Warp Stabilizer effect does not work on footage that has been slowed down or sped up. The first thing you’ll notice is a blue bar across your clip. Adobe Premiere Pro is analyzing your material to understand its movement. Depending…

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Read more about the article MediaStorm Online Training Launches ‘The Making Of: Take Care’

MediaStorm Online Training Launches ‘The Making Of: Take Care’

We are happy to release The Making Of: Take Care, the fourth module in our Making Of training series. This new educational module invites seasoned multimedia professionals and beginners alike to learn about the decisions, both in the field and in the editing suite, that went into the making of MediaStorm Storytelling Workshop story Take Care. Take Care is a story about family, choices and reconciliation. It offers a glimpse into the life of Virginia Gandee, a 22-year-old woman who lives in Staten Island, New York. At first glance one is struck by Virginia's bold appearance; her bright red hair and the dozen tattoos that canvas her body. When she was 15, Gin left home to marry a 20-year-old she met online. Two years later, she was a teenage mother. Today, Gin is raising her daughter as a single mother and pursuing her dream to become a nurse. Meanwhile we see that…

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