MediaStorm produces Portraits of Heroes at Home for Sears

MediaStorm and Sears recently collaborated to produce Portraits of Heroes at Home. Sears hired photojournalists, John Moore and Shaul Schwarz, to document the stories of four soldiers. Heroes at Home is an ongoing program to aid military families founded by Sears. Portraits of Heroes at Home follows Pulitzer Prize Winning photojournalist John Moore as he creates portraits of four soldiers, and learns of their harrowing injuries on the battlefield and their remarkable stories of physical and mental recovery.

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Now Hiring: MediaStorm looking for innovative Developer and Motion Graphics Designer

MediaStorm is looking for a passionate and self-motivated Developer to implement and customize PHP and MySQL code for MediaStorm's publication and client projects. The ideal candidate will have proven technical expertise in creating scalable, database-driven web sites in PHP and MySQL. They will be working with front-end developers/designers to lead and execute development. MediaStorm is also looking for an innovative Motion Graphics Designer to elevate projects on MediaStorm.com as well as projects for MediaStorm's clients and workshops. The ideal candidate will be able to conceptualize and execute motion graphics packages that integrate into and accompany multimedia projects and websites. All applications must be submitted online. For more information, please see the full job descriptions. If you have any questions, please email us.

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MediaStorm produces ‘How Will We Feed Them?’ for the International Fund for Agricultural Development

The International Fund for Agricultural Development (IFAD) recently commissioned MediaStorm to create a compelling story titled "How Will We Feed Them" that would accompany their Rural Poverty Report 2011. MediaStorm sent producer Brad Horn to Madagascar to work with an IFAD-funded organization called the Rural Income Promotion Program. We need more food and we need it now. To meet the food needs of the 21st Century the nations of the world must make it easy to live and prosper and rural areas. Moravavy Seraphine and her daughter Maria are examples of what's at stake. See the Story: How Will We Feed Them?

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MediaStorm Multimedia Workshop launches new projects, Applications now open for 2011 Workshops

From November 13-19, 2010, we held our eighth MediaStorm Multimedia Workshop. Two teams of talented professionals, along with MediaStorm Producers Tim McLaughlin and Jennifer Redfearn, researched, reported, and produced the following projects: Mr. Blues by Mariana Bazo, Benjamin Norman, and J. Pinkley Samuel Hargress Jr. is the owner of Paris Blues bar in Harlem, New York. The bar attracts a cast of characters that could have come from Cheers, Harlem-style. While witnessing dramatic changes in the neighborhood, Sam created a timeless place where regulars dance in their godfather hats, snakeskin leather shoes, and 1940’s styled zoot suits. Running with Scissors by Ricky John Molloy, Thomas Tolstrup and Nancy J. Haws Brian Machon has been practicing his craft for over 20 years and has close relationships with his clients. When he narrowly escaped a heart attack, questions surrounding his life, and his real family were raised. The MediaStorm Multimedia Workshops in New York…

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MediaStorm’s 10 More Ways to Improve Your Multimedia Right Now

As a followup to a previous post, here are ten more ways to improve your work right now, no matter how challenging your original assets may be. Make edits with purpose. Always ask why you are making an edit at a particular place. Is the cut motivated by action? A musical beat? A pause in narration? If you don't have a reason, you need to find a new location for your edit. Every edit must be motivated. When editing your visuals, don't cut in the middle of a word. Doing so is confusing. Edit between words, or even better, edit according to written grammar: at a comma, a period, or to emphasize a word. Cutting after words like because and however is also effective. Edit rhythmically. Make the first cut at the beginning of a spoken phrase. Time the first phrase so it ends right before a musical beat. Cut to another…

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