One of the benefits of shooting two-camera interviews is the ability to cut between angles without having to use b-roll to cover an edit.

For an example of this technique see On the Road with Danny Wilcox Frazier, an interview with the Driftless photographer.

Final Cut syncs two-camera interviews by creating multiclips. Multiclips act as a sort of wrapper, bundling two or more angles into one clip so that you can seamlessly edit between them.

(NOTE: This workflow assumes that you have asked your subjects to clap their hands at the beginning of the interview as a way to sync your cameras during the editing process.)

The first step in editing a two-camera interview is to make sure both tapes will be in sync when you create the multiclip.

To do this, load the clip from the first camera angle into Final Cut’s Viewer.

Mark an IN point (I) at the first frame of your subject clapping. You may need to scrub
back and forth with the arrow keys to find it. On occasion, the visual may appear to be a frame or two off from the actual clap. Mark IN based on the sound, not the picture.

Repeat this process with your clip from the second camera angle. Mark an IN where you hear the clap here, too.

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