United in the Fight: Films for World AIDS Day

Thirty years after the first cases of HIV, the World Health Organization estimates 35 million people worldwide are currently living with HIV/AIDS. Of these, 3.2 million are children under the age of 15. Today we commemorate World AIDS Day by remembering those who have succumbed to the virus and supporting our amazing collaborators working to treat and prevent this destructive disease. GAIA takes the medical breakthroughs of the developed world and brings them to The Far End of the Road. Their focus is one district in Malawi where 1 out of 6 adults are HIV-positive and healthcare can be hours away. AIDS and Family is Kristen Ashburn's intimate portrait of African mothers, fathers and children being crushed by AIDS. Ashburn's work connects us to these people deeply; we learn that only through such connection is hope possible.

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‘The Long Night’ Premieres on MediaStorm

Set in Seattle Washington, The Long Night, a film by Tim Matsui and MediaStorm, gives voice and meaning to the crisis of minors who are forced and coerced into the American sex trade. In two parts, the film weaves together the stories of seven people whose lives have been forever changed by this issue. Part One, “108 Days,” tells the story of Natalie, a fifteen-year old girl who is pimped out just 48 hours after running away from home. At home, her hardworking parents Tom and Nacole, struggle to stay afloat the 108 days that their daughter is missing. Though they know what may have happened, they are unprepared to meet the girl who finally comes home. Part Two, “The Endless Trap,” tells the story of Lisa and an unlikely hero. Another runaway, Lisa was turned out at the age of 13, and turned to heroin to cope with the trauma. Six years…

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Job Alert: RIT Assistant Professor Position in Photojournalism Program

The School of Photographic Arts and Sciences at the Rochester Institute of Technology is now accepting applications for an Assistant Professor position in its Bachelor of Fine Arts (BFA) Photojournalism program. This is a tenure track position. Application review begins December 1st, 2014 and continues until the position is filled. Candidates must demonstrate the ability to teach undergraduate photojournalism courses in interactive multimedia design with strong photojournalistic and visual narrative skills. Ideal candidates will be dedicated to scholarship and service, including student career advisement, and provide leadership and vision in the continued interdisciplinary vibrancy of the School’s BFA program, its students and curriculum. Qualifications MFA with photojournalism focus preferred for tenure track appointment. A MS and MA degree with professional distinction (awards, prizes, publications) may also be considered for tenure track appointment. A BFA or BA in photojournalism with equivalent professional experience with distinction may be considered for non-tenure, professional rank. Minimum…

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MediaStorm Guide to Selecting Clips in Premiere Pro Without a Mouse

This article is part of a series of posts with tips and tricks from our producers' experience working with Adobe Premiere Pro CC after years of working in Final Cut Pro. To read more about why we made the switch, check out this post. Last week, a friend asked if there was a way in Premiere Pro to select more than one track at a time using only the keyboard. The answer is yes. The keyboard shortcut D will select all clips under the playhead, so long as the respective tracks are highlighted. In the example below, you’ll see that Video 3 is not highlighted, so when I press D, clips on that track are not selected. If you’d like the ability to toggle your audio and video tracks on and off without using the mouse, you can create a custom keyboard shortcut key for each. Open the Keyboard Shortcut window (Option-Command-K)…

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MediaStorm Guide to Adjusting Output Volume in Premiere Pro

This article is part of a series of posts with tips and tricks from our producers’ experience working with Adobe Premiere Pro CC after years of working in Final Cut Pro. To read more about why we made the switch, check out this post.


Let’s say you’ve mixed your audio and for whatever reason it’s consistently a little too low or a bit hot. Sure, you could return to your timeline and remix again, but that’s time consuming.

Premiere Pro 2014 offers a quick and elegant solution.

First, open the Audio Track Mixer. (Note that this is different from the Audio Clip Mixer.)

Open the disclosure triangle on the top left side.


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