MediaStorm Guide to Premiere Pro Search Bins

This article is part of a series of posts with tips and tricks from our producers’ experience working with Adobe Premiere Pro CC after years of working in Final Cut Pro. To read more about why we made the switch, check out this post.


A great new feature in the most recent update to Premiere Pro (2014.1) is the ability to create search bins.

Search bins act like smart folders, allowing you to filter your assets for specific criterion. This is enormously helpful for locating similar items that are otherwise scattered across your project.

There are three ways to create a smart bin:

  • Click the search bin icon at the top of a Project Window

  • Right-Click in the Project window and select New Search Bin…
  • Select the menu File > Search Bin

You will then be presented with the Edit Search Bin window where you can enter your search criterion.
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There’s Still Time: Apply For the October One Day MediaStorm Workshop

Spend the day with MediaStorm at our One Day Workshop on Saturday, October 25th, 2014. This workshop is perfect for anyone interested in multimedia storytelling, no experience is necessary. Participants spend the day with executive producer Brian Storm learning multimedia storytelling approaches and engaging in discussion about the most appropriate ways to create a multimedia story. When the day is done, you will leave with tips and techniques to help you improve the reporting, editing and distribution of your multimedia project. Workshop Details Tuition: $500 per person Location: MediaStorm's office in DUMBO, Brooklyn Workshops start at 11 a.m. and end at 7 p.m. with an hour for lunch For more information and testimonials from past participants visit the One Day MediaStorm Workshop page

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Talkin’ Rough Cut Blues

Currently, I’m smack in the middle of a long and complex rough cut. And that fills me with unease. I struggle to embrace the uncertainty of it all, even though I’ve been here before, literally a hundred times. This is what I tell myself: A rough cut is a sketch. It’s an early attempt to conceive the future. As such, it's clunky, inelegant and mechanical. The weakness of a rough cut is perhaps most evident in scene transitions: how you connect one section to the next. If you’re like me, you feel a great urge to immediately fix these problems. One could spend hours trying to make them seamless. God knows, I want to. Intellectually, I know that there’s no need to finesse these details when soon I'll be rearranging whole sections. Or even deleting them altogether. It’s more important at this stage to just keep moving. Emotionally, it’s much harder to…

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MediaStorm Welcomes Editor and Producer Ligaiya Romero

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MediaStorm is excited to announce that summer intern Ligaiya Romero will permanently join our staff as an editor and producer. G. Ligaiya Romero is a visual journalist and documentary storyteller. Originally from New York, she graduated from UCLA with dual degrees in Film Production and International Development. She studied documentary photography and multimedia production at the Salt Institute for Documentary Studies. Recently, she received her Master’s degree in Visual Communication at the University of North Carolina at Chapel Hill as a Roy H. Park fellow. Ligaiya’s work has been recognized by the SXSW Interactive Awards, College Photographer of the Year, Photo District News, the National Press Photographers Association and the New York Photo Awards among others. Her portfolio can be viewed at ligaiya.com.

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