Read more about the article MediaStorm Guide to Creating Multi-Camera Sequences in Premiere Pro, Part 2

MediaStorm Guide to Creating Multi-Camera Sequences in Premiere Pro, Part 2

This article is part of a series of posts with tips and tricks from our producers’ experience working with Adobe Premiere Pro CC after years of working in Final Cut Pro. To read more about why we made the switch, check out this post.

In the first part of this tutorial, I showed you how to sync multiple camera angles and audio sources using Red Giant’s $199 PluralEye’s 3.0. After you’ve imported the XML file generated by PluralEyes into Premiere Pro CC and your tracks are in sync, it’s time to create a multi-camera sequence.

First though, because PluralEyes offers no audio configuration options like stereo vs.mono, or which tracks to duplicate for stereo pairs, you’ll need to make sure your audio is set up properly. See the screencast MediaStorm Guide to Audio Configuration for assistance.

As a general rule, I use the better audio source and double it so I now have a stereo pair.

MULTI-CAMERA SEQUENCE

A multi-camera sequence appears in your timeline as one clip, but bundles multiple camera angles together so that you can easily see all available options as you edit.

To create a multi-camera sequence, first create a new empty sequence (Command-N). Next, drag your synced sequence from the Project window into this one. Putting one sequence inside another is referred to as a nested sequence.

Rename your new sequence ProjectName_InterviewName_multiclip_RAW. Still in the timeline, right-click your sequence and select Multi-Camera > Enable.

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Read more about the article Phillip Toledano Is “The Reluctant Father”
Photo: Phillip Toledano

Phillip Toledano Is “The Reluctant Father”

Photo: Phillip Toledano

Phillip Toledano became a father at the age of forty. He fell in love with his daughter about a year and a half later. His latest book, The Reluctant Father, follows Toledano’s journey at the beginning of fatherhood. Grappling with the expectations and reality of being a new father, and the vast differences between them, he produces a surprisingly honest, funny, and moving account that he hopes his daughter won’t hold it against him later.

In many ways it is a sequel to the best-selling Days with My Father, a documentation of the three years Phillip spent taking care of his father, who suffered from dementia, and inspired his MediaStorm collaboration, A Shadow Remains.

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Read more about the article The Evolution of Video Storytelling Featuring MediaStorm and DCTV

The Evolution of Video Storytelling Featuring MediaStorm and DCTV

This week Futures Lab, with a little help from Brian Storm, founder and executive producer of MediaStorm, and John Alpert, co-founder and co-executive director of the Downtown Community Television Center in New York, explores how the proliferation of mobile apps and devices impacts visual journalism. The two veteran storytellers share insights about the place of micro-video via apps like Vine and Instagram and the challenges of funding quality work. In the midst of a changing industry and constant innovation, one principle remains: a good story is at the center of everything they do. Keep an eye out for cameos from the rest of the MediaStorm staff.

Continue ReadingThe Evolution of Video Storytelling Featuring MediaStorm and DCTV