Read more about the article Alexia Foundation Opens Call for Entries November 15th
2013 Student Winner, Sara Naomi Lewkowicz, showed brutal domestic violence with her “Shane and Maggie.” Photo by Sarah.

Alexia Foundation Opens Call for Entries November 15th

2013 Student Winner, Sara Naomi Lewkowicz, showed brutal domestic violence with her “Shane and Maggie.” Photo by Sarah.

The Alexia Foundation will begin accepting grant applications on November 15th, 2013. The deadline is January 13th, 2014 for professionals, and January 27th for students.

The Alexia Foundation Grants were established to help promote world peace and cultural understanding. The strength of the proposal will be judged equally to photographic skills. The Grant goes to those who clearly and concisely propose significant projects that share in the Foundation’s mission of promoting peace and understanding and who also submit photographs that reflect the ability to execute their proposed project.

Available Grants

  • This year the award for the Professional Grant has been raised to $20,000.
  • The Student Winner will receive funding for a semester at the Syracuse University London Program, a $1,000 cash grant to help produce the proposed body of work, a $300 gift card from Dury’s Photo and $500 will be awarded to that student’s academic department. Student awards will also be awarded to a Second Place Winner, and three Award of Excellence Winners.
  • The Foundation has added a new student grant, The Gilka Grant, which will recognize the best project proposal that also includes a multimedia component. The winner of The Gilka Grant will receive a $1,500 scholarship to attend the Kalish Workshop.

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We Need You! Vote For MediaStorm to Receive Mission Main Street Grant

MediaStorm has some of the most passionate fans and followers on earth. As a community, we understand the importance of compassionate storytelling, and that technology and cinematic narratives can come together to create connections across the human experience. It's in this spirit that we ask for your support in Chase's Mission Main Street Grants Program. We need 250 people to vote for us by November 15th to move on to the next selection phase. Whether you're a fellow creative, storyteller, or just someone who enjoys our projects, please take a quick minute to show your support. With this grant, we will continue our commitment to you and to pushing the boundaries of digital storytelling. Thanks in advance from everyone at MediaStorm.

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Worth Clicking: Digital News, Street Portraits, Vsevolod Pudovkin & Masked Macaques

All links are hand-picked by the MediaStorm staff for your enjoyment this weekend. Cheers! Slaves of the internet, unite! [New York Times] Do critics understand documentaries? [IndieWire] The internet and digital devices are changing our news consumption habits. Here are 12 trends to put the rapidly shifting digital news landscape into perspective. [Pew Research Center] The five editing techniques of Vsevolod Pudovkin. [Kottke.org] A magazine is simply an iPad that doesn’t work. [YouTube] A whole new dimension to classical sculpture… dress them as hipsters! [Today I Learned Something New] Hannah Price’s series features portraits of men in Philadelphia captured just moments after they harassed her on the street. [The Morning News] Have you ever wondered how you might look if you switched clothes with someone of the opposite gender? Canadian photographer Hana Pesut has set out to deal with that question in “Switcharoo.” [Bored Panda] Still feeling spooky? Headless Portraits From the…

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MediaStorm Guide to Importing Canon C300 Footage into Premiere Pro CC [Screencast]

This article is part of a series of posts with tips and tricks from our producers' experience working with Adobe Premiere Pro after years of working in Final Cut Pro. To read more about why we made the switch, check out this post. Recently, while importing Canon C300 footage into Premiere Pro CC, I realized that many of the longer clips were being duplicated on ingest. For instance, I’d have three of the same files, the only difference was their last two digits. This happened both when I used File > Import and when I double-clicked the Project window. The trick, I discovered, is to import via the Media Browser. Select your file, right-click, and choose Import. You’ll ingest the files properly, with no duplicates. Check out the accompanying screencast, for a more detailed explanation.

Continue ReadingMediaStorm Guide to Importing Canon C300 Footage into Premiere Pro CC [Screencast]