Worth Clicking: NYC Documentaries, Interactive Highrises, and Janis Joplin

All links are hand-picked by the MediaStorm staff for your enjoyment this weekend. Cheers! Portraits of soldiers before, during, and after war [My Modern Met] The 10 best documentaries about New York City [NonFics] Janis Joplin on rejection: “You are what you settle for.” [YouTube] “When you do something guaranteed to succeed, you close the door to the possibility of discovery.” [LifeHacker] How should we judge the best multimedia? [News Shooter] American Cinema Editors is an honorary society of motion picture editors founded in 1950. [ACE-filmeditors.org] You know your film is making a difference when…. Ellen Schneider fills in the blank. [ARTSblog] 105 vital sources for journalists in the new media landscape [Journalism Degrees and Programs] An amazing interactive history of the rise of highrises in New York [New York Times] And how could we resist....Bohemian Rhapsody arranged for a symphony orchestra [YouTube]

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Meet Me in the Swamp: Structure, Motivation and Vulnerability in the Classroom

Today’s guest post is from Beatriz Wallace, Visiting Professor of Journalism and Multimedia Arts at Duquesne University in Pittsburgh, Pennsylvania, on her experience blending online tools like MediaStorm’s Online Training into her curriculum.

Beatriz Wallace is from New Orleans, Louisiana. She has an undergraduate degree in English from Amherst College and a master’s degree in Photojournalism from the University of Missouri. Follow her on Facebook, Instagram, and Twitter


Vulnerability in the Classroom

On the night before my semester begins, I can barely sleep. I prepare all the class topics for the semester before the first day because I’m the nervous type. But then I surrender to training videos, field workflow checklists, in-class activities, rubrics and students to guide the semester.

Three things take precedence in my classroom: vulnerability, structure and motivation. Brené Brown says in her widely circulated TED talk, “Vulnerability is the birthplace of innovation, creativity and change. To create is to make something that has never existed before. There is nothing more vulnerable than that.”

We achieve vulnerability when we feel safe making mistakes and prize individuality. I have sixteen weeks to prove that the only wrong act in the classroom is to not try. I’m responsible for creating a classroom wherein students are more motivated by their passion for storytelling than they are afraid of vulnerability. Research and personal experience indicate that directive structure creates an environment more conducive to vulnerability.

MOOCs And Flipped Classrooms

Educator and author Aaron Sams famously asked, “What’s the most valuable thing to do with the face time I have with my students?’ The answer is not, ‘Stand up and lecture them.” The answer, according to Sams’ research that innovated the “flipped classroom” model, is “What used to be classwork (the lecture) is done at home via teacher-created videos and what used to be homework (assigned problems) is now done in class.”

Comparing the “flipped classroom” model to the MOOC (massively open online courses) model is like comparing glitter to grass; they don’t have anything in common. Both models celebrate technology in the classroom, but each embodies vastly different approaches to learning. MOOCs offer courses online for free, to anyone with Internet connections in the spirit of democracy and equal access to higher education. But MOOCs do not provide the personalized guide or the physical site for constructionist learning. I use online training videos to flip my classroom, not to replace class time.

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Tim Hetherington Grant Calls for Applications

World Press Photo and Human Rights Watch invite press photographers and photojournalists around the world to apply for the third Tim Hetherington Grant. The annual grant, worth €20,000, will be awarded to a photographer to complete an existing project on a human rights theme.

The judges will look for the qualities that defined Tim’s career when reviewing the applications: work that operates on multiple platforms and in a variety of formats; that crosses boundaries between breaking news and longer-term investigation; and that demonstrates a consistent moral commitment to the lives and stories of the photographic subjects.

Fernando Moleres received the second Tim Hetherington Grant in 2012 for his project “Waiting for an opportunity”.

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MediaStorm Guide to Fixing Missing Waveforms

This article is part of a series of posts with tips and tricks from our producers’ experience working with Adobe Premiere Pro CC after years of working in Final Cut Pro. To read more about why we made the switch, check out this post.


Last week, while editing the epilogue for Jeff Hutchen’s Travel Anonymous, my Premiere Pro audio waveforms mysteriously disappeared.

If you find yourself in a similar predicament, here’s how to get them back.

First, make sure your audio waveforms are turned on. You can find this option under the wrench icon in your timeline.

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PhotoPhilanthropy Activist Awards Call for Submissions

The PhotoPhilanthropy Activist Awards identify outstanding work done by photographers in collaboration with nonprofit organizations worldwide and awards prizes ranging from $2,000-$15,000. This year, for the first time in its history, PhotoPhilanthropy will offer a mobile photography award in addition to its traditional student, amateur, and professional category awards for most compelling documentary photography essays completed on behalf of nonprofits.

Submit your photo essay by November 15th, 2013.

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