The Canon C300: Field Tested by MediaStorm DP Rick Gershon

MediaStorm’s Director of Photography, Rick Gershon, brought the C300 to Angola to shoot their documentary “Surviving the Peace,” which follows the progress of the Mines Advisory Group as they clear unexploded ordnance. Watch as he shares his thoughts on how the C300 helped realize their vision for the production in this interview with Gershon, featuring footage from the documentary. Introduction This is a practical review taken from my experience using the Canon C300 in the field on an actual project. This is not a technical review. I will not be discussing the in-depth minutia of the technical aspects of this camera. Rather I will be giving real world examples of both the positive and negative aspects of the camera that I experienced while using it in a documentary setting, in very difficult conditions on a very important film. In my opinion, it takes a very special kind of camera to work well…

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MediaStorm documents Final Cut workflows for the Canon 5D Mark II and Nikon D300

Since its release, the Canon 5D Mark II has become the de facto video camera for many photojournalists. Despite some technical challenges, like the ability to follow focus and the low-fi built-in microphone, the visual quality is simply stunning. Prosumer video gear just can't touch its filmic look or depth-of-field. For examples, check out the gorgeous work of Jeff Hutchens and Nacho Corbella in the MediaStorm workshop project Hold Out. More recent workshop attendees Deanne Fitzmaurice and Doug Grant also used the 5D to beautiful effect in Family Kocktail. It's not hard to understand why the Canon 5D Mark II, and now the Nikon D300, have become so popular. But to make these files Final Cut Pro compliant there remain a number of technical hurdles. To help with this, MediaStorm has documented our workflow with each of these cameras in two separate PDFs. These documents detail the transcoding process in Compressor, demonstrate…

Continue ReadingMediaStorm documents Final Cut workflows for the Canon 5D Mark II and Nikon D300